Born in Los Angeles, CA. Lives and works in New York, NY<\/p>\n
EDUCATION
\nMFA University of California Los Angeles, 2004
\nBFA Rhode Island School of Design, 2002<\/p>\n
SOLO EXHIBITIONS
\n2023 Untitled (Caretaker), 47 Canal Gallery, NY
\n2019 Sub, Commonwealth and Council, Los Angeles, CA
\n2018 Ruthless Logic, Empty Gallery, Hong Kong
\n2017 Buffer, Brooklyn Academy of Music, Brooklyn, New York
\n2017 In the News, Renaissance Society, Chicago, IL
\n2016 abduct, MOCA Cleveland, Cleveland, OH
\n2015 Feedback, 47 Canal, New York, NY
\n2013 Fruit Machine 2, New Museum, New York, NY
\n2013 Hourglass, Aspect Ratio, Chicago, IL
\n2012 Untitled, 47 Canal, New York, NY
\n2011 Body Drama, Whitney Museum of American Art, New York, NY
\n2010 Front Room: Two-Way Mirror, Contemporary Art Museum St. Louis, MO
\n2009 Third I, Taxter and Spengemann Gallery, New York, NY
\n2008 Voicedoor, Taxter and Spengemann Gallery, New York, NY
\n2006 Holiday Cruise!, Taxter and Spengemann Gallery, New York, NY<\/p>\n
SELECTED GROUP EXHIBITIONS
\n2023 Movement-Image, Hagan Gallery, Princeton University, Princeton, NJ
\n2023 Body Double: Audition, Miriam, Brooklyn, NY
\n2022 Texan: Part II, Various Small Fires, Dallas, TX
\n2020 Live Artists Live, USC Visions and Voices, online performance event
\n2018 Pond & Waterfall, The Gallery at Michael’s, Santa Monica, CA
\n2017 Snow Screen, ARCHIVE BOOM, Seoul, Korea
\nVideo Narcissism (High Line Channels), High Line Art, New York, New York
\nBetter Self, Zacheta National Gallery of Art, Warsaw, Poland
\nMood Swings, Q21 International\/ Museums Quartier Vienna, Austria
\n2016 BOFFO Fire Island Performance Festival, Fire Island, NY
\n2015 Then They Form Us, Museum of Contemporary Art, Santa Barbara, CA
\nPlacing the Golden Spike: Landscapes of the Anthropocene, INOVA, Milwaulkee, WI
\n2014 Smart New World, Kunsthalle D\u00fcsseldorf, Germany
\n2013 Meanwhile… Suddenly and Then: 12th Biennale de Lyon, France
\n2012 First Among Equals: Fruit Machine, Institute of Contemporary Art, Philadelphia, PA
\n2011 New Age End of the World, Taxter & Spengemann, New York, NY
\n2010 Arcadian Night, curated by Kalika Farmer and Andrea Hill, Sheffield, MA
\nCleopatra’s Presents…, Leo Koenig Projekte, New York, NY
\nQuadruple Consciousness, curated by Malik Gaines, Vox Populi, Philadelphia, PA
\nThe Absolutely Other, The Kitchen, New York, NY
\n2009 Second Nature: The Valentine-Adelson Collection at the Hammer, Hammer Museum,
\nLos Angeles, CA
\nConvention, MOCA North Miami, FL
\nSkin Jobs, Marc Selwyn Gallery, Los Angeles, CA
\nInvisible Adversaries, Northern Gallery for Contemporary Art, Sunderland, England
\n2008 PM Dawn, Taxter and Spengemann Gallery, New York, NY
\nAgency: Art and Advertising, McDonough Museum of Art, Youngstown State University
\nResidents\/Vide\u0301othe\u0300que Mobile, Le Plateau, Paris, France
\n2007 Sculpture Center Winter Gala Performance, The Sculpture Center, Long Island City, NY
\nUncertain States of America: Video Art in the Third Millenium, Moscow Biennial
\n2006 One Way or Another: Asian American Art Now, Asia Society Museum, New York, NY
\nIn Practice, The Sculpture Center, Long Island City, NY
\n2005 Makers, Taxter and Spengemann Gallery, New York, NY
\n2004 Shadow Cast (performance), NADA Art Fair, Miami, FL
\nand if you think you see with just your eyes… Peres Projects, Los Angeles, CA
\nSupersonic, Art Center, Pasadena, CA
\n2003 California Welcomes You, curated by Pascal Spengemann, Scope:LA<\/p>\n
AWARDS
\n2017 Harkness Dance Residency, Brooklyn Academy of Music
\n2015 Frieze Film Commission
\n2014 Guggenheim Fellowship
\n2012 New York Foundation for the Arts Fellowship in Interdisciplinary Work
\n2011 de la Cruz Collection Contemporary Art Space Residency
\n2006 Artists Council Appointment, Hammer Museum, Los Angeles, CA
\nArtist’s Residency Grant, Paris, France, Lower Manhattan Cultural Council
\nIn Practice Fellowship, Sculpture Center<\/p>\n
BIBLIOGRAPHY
\nDoran, Kerry, \u201cXavier Cha: Ruthless Logic,\u201d Flash Art, International Edition, No. 321 Vol. 51, June-August, 2018.
\nChung, Stephy and Holland, Oscar, \u201cArtist\u2019s Deconstructed Fight Scene Reveals Struggles of the Subconscious,\u201d CNN Style, http:\/\/www.cnn.com\/style\/article\/xavier-cha-ruthless-logic\/index.html
\nNg, Brady, \u201cRuthless Logic: Xavier Cha,\u201d Art Asia Pacific Online, April, 2018.
\nMurg, Stephanie, \u201cXavier Cha Performa New York,\u201d Flash Art, http:\/\/www.flashartonline.com\/2017\/11\/xavier-cha-buffer-2\/
\nGreenberger, Alex, \u201cAt Performa, Xavier Cha Debuts a Work About Relationships, Videos and the Internet,\u201d Artnews, http:\/\/www.artnews.com\/2017\/11\/03\/performa-xavier-cha-debuts-work-relationships-videos-internet\/
\nJohnson, Grant, \u201cInterviews Xavier Cha,\u201d Artforum, https:\/\/www.artforum.com\/interviews\/xavier-cha-discusses-her-performance-buffer-at-the-brooklyn-academy-of-music-71973
\nMarcus Civin, \u201cCritics\u2019 Picks: Xavier Cha MOCA Cleveland,\u201d Artforum, https:\/\/www.artforum.com\/picks\/id=58828
\nBarbara Pollack, \u201cXavier Cha at MOCA Cleveland,\u201d ArtNews, http:\/\/www.artnews.com\/2016\/02\/18\/xavier-cha-at-moca-cleveland\/
\nCornell, Lauren, “Self-Portraiture in the First-Person Age,” Aperture, Issue 221, pp. 34-41.
\nMegan Heuer, “Xavier Cha 47 Canal,” Art in America, April 2013, pp. 112-113.
\nLauren O\u00d5Neill-Butler, “Xavier Cha 47 Canal,” Artforum, February 2013, pp. 249-250.
\nPulitzer, Sam, “Critics’ Picks New York: Xavier Cha, Whitney Museum of American Art,” Artforum.com, Summer 2011.
\nMilder, Patricia, “Distance and Dissonance: Xavier Cha at the Whitney,” Artcritical.com\/2011\/08\/17\/xaviercha\/.
\nHerrera, Adriana,”Xavier Cha: El Riesgo de la Mirada,” El Nuevo Herald, May 29, 2011, p. 6D.
\nMcCorquodale, Amanda,”Performance Artist Xavier Cha Holding Auditions During Wynwood Art Walk,” Miami NewTimes, http:\/\/blogs.miaminewtimes.com\/cultist\/2011\/02\/performance_artist_xavier_cha.php.
\nO’Neil-Butler, Lauren, “Xavier Cha, Taxter & Spengemann,” Artforum International, Summer Issue 2009, p. 340
\nSalz, Jerry, “Circus Maximus,” New York Magazine, March 30, 2009, p. 70.
\nFinch, Charlie,”Cha on This,” Artnet.com, March 16, 2009.
\nNguyen, Trong Gia, “Xavier Cha at the Opera,” ArtSlant.com, April 27, 2008.
\nCoburn, Tyler, “Future Greats: 30 Art Stars of Tomorrow,” Art Review, March 2008, p. 98.
\nWolff, Rachel, “Young Masters,” New York Magazine, October 15, 2007, p.51.
\nSalz, Jerry, “Power, Professionalism, and Perversity: Looking Back at the 2006 Art Scene,” The Village Voice, January 4, 2007.
\nSmith, Roberta, “A M\u017dlange of Asian Roots and Shifting Identities,” The New York Times, September 8, 2006.
\nSpeers-Mears, Emily, “On the Verge of the Audience: Emily Speers-Mears on Xavier Cha,” Texte Zur Kunst, No. 63.
\nDavis, Tim, “Xavier Cha’s Public Privacy,” One Way or Another: Asian American Art Now Catalogue, 2006.
\nSalz, Jerry, “Strange Days: Carving Her Name into Hedges; Dressing Like a Shrimp,” The Village Voice, May 5, 2006.
\nMori, Ken, “Guerilla Gardener,” Giant Robot, Issue 36, p.42.
\nKnight, Christopher, “Artworks with Wattage,” Los Angeles Times, Monday June 21, 2004. E.<\/p>\n","protected":false},"excerpt":{"rendered":"
Born in Los Angeles, CA. Lives and works in New York, NY EDUCATION MFA University of California Los Angeles, 2004 BFA Rhode Island School of Design, 2002 SOLO EXHIBITIONS 2023 Untitled (Caretaker), 47 Canal Gallery, NY 2019 Sub, Commonwealth and Council, Los Angeles, CA 2018 Ruthless Logic, Empty Gallery, Hong Kong 2017 Buffer, Brooklyn Academy … Continue reading CV<\/span>